Articles By Barbara

Hammer, Barbara. “Abstract Strategies.  A Tendency.”  La Furia Umana, 23 (2015), 204-207.

Hammer, Barbara. “Projection Pleasures.”  Planetary Projection, An Oral History of Film Projection, caboose books, July 2014.

Hammer, Barbara.  “Millennium Survey: Barbara Hammer.”  Millennium Film Journal, No. 51 (Spring/Summer 2009), 25-29.

Hammer, Barbara.  “Shaking The Archive.”  March 2008.

Hammer. Barbara. “Maya Deren and Me.” In Maya Deren and the American Avante-Garde, edited by Nichols, Bill, 261-265.  California: University of California Press, 2001.

Hammer, Barbara.  “Twentieth Anniversary: Creteil Film Festival,” The Independent (August 1998).

Hammer, Barbara.   Nothing Could Be Worse Than Two Dykes in Menopause. Screenplay, 1997.

Hammer, Barbara.  “Lesbian/Gay Media Comes Out in South Africa.” Release Print (September 1994): 6,8, 20.

Hammer, Barbara.  “Diary: June 10, 1993.” In World Cinema, Diary of a Day, Willis and Wollen, edited.  London: British Film Institute, 1994.

Hammer, Barbara.  “Middle-Aged and Still Going Strong.” Performing Arts Journal no. 46 (January 1994): 47–49.

Hammer, Barbara.  “The Politics of Abstraction.” In Queer Looks, ed. Grever et al., 70–75. New York: Routledge, 1993.

Hammer, Barbara.  “When a Kiss is Not a Kiss, but Nitrate.”  Art Papers (June/July 1993).

Hammer, Barbara.  “Women’s Images in Film.” In Women’s Culture: The Women’s Renaissance of the Seventies. London: 1991.

Hammer, Barbara.  “Sanctus: X-Rated X-Rays: Motion Pictures by James Sibley Watson, Jr., M.D.; Sidney A. Weinberg; Stanley M. Rogoff, M.D.; & Raymond Gramiak, M.D.”   Experimental Film Coalition Journal, January/February 1991.

Hammer, Barbara.  “International Experimental Film Congress.” Video Guide 10, no. 5 (November 1990): 15.

Hammer, Barbara.  “The International Experimental Congress That Wasn’t?” Release Print (August 1989): 7.

Hammer, Barbara.  “Thoughts on Institutional Support.” Spleen no. 1 (May 1989): 17–22.

Hammer, Barbara.  “Risk-Taking as Alternative Living/Art Making: Or Why I Moved to the Big City.” Millennium Film Journal no. 22 (Winter/Spring 1989–1990): 127–29.

Hammer, Barbara.  “The Function of Art in Culture Today,” High Performance (Spring/Summer 1988).

Hammer, Barbara.  “The Invisible Screen.” Center Quarterly 8, no. 3 (1988).

Hammer, Barbara.  “The Artist as Teacher: Problems and Experiments.” The Journal of Education, Vol. 166, No. 2, Creativity and Social Criticism (Boston University: July 1984), 181-187.

Hammer, Barbara.  “Judy Chicago, The Second Decade.” Women Artists News 9, no. 5/6 (Summer 1984): 12–14.

Hammer, Barbara.  “La Self-Naissance du Cinéma Lesbien.” Vlasta no. 3 (Winter 1984): 86–97.

Hammer, Barbara.  “International Audiences: Personal Experiences of a Filmmaker.” In Beyond National Boundaries. London: 1983.

Hammer, Barbara.  “Creative Teaching Spaces: Home Movies.”  In Learning Our Way, Essays in Feminist Education, edited by Charlotte Bunch and Sandra Pollack, 219–23. Trumansburg: The Crossing Press, 1983.

Hammer, Barbara.  “Lesbian Filmmaking: Self-birthing.” Film Reader no. 5, 1982: 60–66.

Hammer, Barbara.  “Sara Kathyrn Arledge.” Cinemanews no. 1980–6/1981–1: 3–4.

Hammer, Barbara.  “Use of Time in Womens’ Cinema.” Heresies (Fall 1979): 86–89.

Hammer, Barbara.   “Stillness and Motion, A Study of Relationship and Film.” Sinister Wisdom 1978/79: 37–42.

Hammer, Barbara.  “Tree Goddess.” Anima, vol. 4, no. 2 (Spring 1978): 27–34.

Hammer, Barbara.  “Cinda Firestone.” Filmmakers’ Newsletter, 1978.

Hammer, Barbara.  “Feminist Phenomenology As Content and Method In Jane Brakhage and Creative Work Since: Menses, Dyketactics, Women’s Rites, and Psychosynthesis.”  A Composite Creative Work for an M.A. in Film, San Francisco State University, December 1975.

Hammer, Barbara.  “Written while a film student at San Francisco State University, 1973-75, and saved and sent to me years later by the professor.”  San Francisco State University, 1973-1975.

Hammer, Barbara.  “Local Film Makers.”  Flexus, 1974.

Hammer, Barbara.  “A Syntagmatic Analysis of Maya Deren’s Ritual in Transfigured Time.”  Class assignment towards M.A. in Film, San Francisco State University, Early 1970s.

Agressa (Pseudonym used by Barbara Hammer). “Women in Film.”  Early 1970s.

Hammer, Barbara.  “Pornography, Censorship, and Sex in the Movies.” Class assignment for Film History II, towards M.A. in Film, San Francisco State University, March 1973. (Unpublished).

Hammer, Barbara.  A Gay Search. Novel, 1973.